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Fiction Writing I
GUIDE TO FICTION COURSES
Fiction Pathways
Foundation
If you’re not sure what kind of fiction to write...
If you know what kind of fiction to write...
Fiction Writing I
Zoetrope Fiction Writing I
Science Fiction & Fantasy Writing I
Mystery Writing I
Romance Writing I
Children’s Book Writing I
Or...
If you want a rather short course...
Fiction Writing Intensive
Children’s Book Writing Intensive
Middle Grade/Young Adult Intensive
Humor Writing Intensive
Comics & Graphic Novels
Next Steps
After completing a Level I ten-week course...
Short Fiction II
Zoetrope Short Fiction II
Novel II First Draft Part 1
Novel II Critique
Science Fiction & Fantasy Writing II
Mystery Writing II
Romance Writing II
Children’s Book Writing II
After completing Novel First Draft II Part 1...
After completing Short Fiction II...
Also Helpful
These essential courses are great for writers of any level.
Character
Dialogue
Plot 1: Mechanics
Plot 2: Machinations
Reading Fiction
In(verse): Poetic Techniques for Non-Poets
The Writer’s Mind
The Editor’s Eye
Grammar 1: The Basics
Grammar 2: Expertise and Finesse
Social Media
For Teens
Fiction Writing I is a 10-week workshop, which includes lectures, exercises, and the critiquing of student projects. It’s for beginners or anyone who wants to brush up on the fundamentals. Farther down, you can view a syllabus for this course.
Also consider Gotham’s premium Zoetrope Fiction Writing classes: Zoetrope Fiction I or Zoetrope Fiction II.
Fiction is a wonderful conjuring act. With only words and the reader’s imagination, a work of fiction can sail across the world in pursuit of a whale, or time-travel to another dimension, or zero in on a few minutes in line at the local bank, enveloping the reader in a made-up story that feels real.
To pull off this feat requires a balance of craftsmanship, daring, and insight into human nature. Here you’ll learn the time-tested elements of fiction craft and how to market your work.
Whether you seek to write short stories or novels; commercial, literary, or genre; comic or tragic, we’ll show you how to spin your thoughts into believable and spellbinding tales.
I wanted to understand more about the basics of writing fiction and this course not only taught me those things but also required me to do those things.
Susan Snedaker
IT director
Notes
Fiction I encompasses short stories and novels. After Level I, students have a choice of Short Fiction Writing II (focusing on short stories), or Novel II Critique or Novel II First Draft (focusing on novels).
If you’re working on “genre” fiction, you may take either a Fiction/Novel course or one of our genre courses: Science Fiction & Fantasy, Romance, Mystery.
If you’re working on a YA novel, you may take a Fiction/Novel or “genre” course, or you may take a Children’s Book course, where the full spectrum of children’s books will be covered.
Upcoming Classes NYC COVID Info
NYC COVID Info
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You can still enroll in this class.
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You can still enroll in this class.
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You can still enroll in this class.
10-Week
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NYC
In-person
Tuition: $465 (returning students: $435)
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Online
Anytime, week-long sessions
Tuition: $439 (returning students: $409)
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Zoom
Real-time videoconference
Tuition: $439 (returning students: $409)
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One-on-One
Tuition: $1,795
Syllabus
This course gives you a firm grounding in the basics of fiction craft and gets you writing a short story (or two) or a novel. Course components:
Lectures
Writing exercises
Workshopping of student projects (each student presenting work two times)
New York City/Zoom classes
The syllabus varies from teacher to teacher, term to term. Many topics will be similar to those covered in the Online classes.
Online classes
Week 1
Introduction to Fiction: The different types and forms of fiction. Where to find inspiration and ideas. The importance of craft.
Week 2
Character: Where to find characters. Making characters dimensional through desire and contrasts. Creating character profiles. Showing vs. Telling. Methods for showing characters.
Week 3
Plot: Finding a major dramatic question. Shaping a beginning, middle, and end. The difference between short story and novel plots. Pros and cons of outlining.
Week 4
Point of View: POV defined. Exploration of the many types of POV.
Week 5
Description: Using the senses. Specificity. Techniques for creativity. Finding the right words. Merging description with point of view.
Week 6
Dialogue: The importance of scene. Dialogue's illusion of reality. Quotation marks and tags. Stage directions. Summarized dialogue. Characterization through dialogue. Subtext. Dialect.
Week 7
Setting/Pacing: Time. Place. Weather. Description of setting. Merging character and setting. How to manipulate time through pacing. Flashbacks.
Week 8
Voice: Voice defined. Exploration of the various types of voice. Tips for finding your voice. Understanding style—syntax, diction, and paragraph length.
Week 9
Theme/Revision: Theme defined. Types of theme. Weaving theme into a story. Exploration of the various stages of revision.
Week 10
The Business: Proper format for manuscripts. How to target publishing houses, literary magazines, and agents. Query letters.
Note: Content may vary among individual classes.
Teachers
Anita Diggs
Anita Diggs is co-author, with Ida Keeling, of the memoir Can't Nothing Bring Me Down: Chasing Myself in the Race Against Time (Zondervan). She is the author of four novels, including A Meeting in the Ladies Room, (Kensington Books), and the nonfiction book Talking Drums: An African-American Quote Collection (St. Martin’s Press). She has served as senior editor and director of One World Books for Ballantine/Random House. She has taught at Salem College. She holds a BA from the State University of New York/Empire State College and an MFA in Creative Writing/Memoir from Hunter College.
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Arlaina Tibensky
Arlaina Tibensky is the author of the novel And Then Things Fall Apart (Simon & Schuster). Her short stories and nonfiction have appeared in One Story, SmokeLong Quarterly, McSweeney's, Madison Review, The Dinner Party Download, New Stories from the Midwest 2018 (New American Press), the New York Times, and elsewhere. She holds a BA from the University of Wisconsin-Madison, and an MFA in Fiction from Columbia University.
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Cab Tran
Cab Tran has published short fiction in Vagabond: Bulgaria's English Monthly, The Oleander Review, and Black Warrior Review, among many others. He is the translator, with Quan M. Ha, of the short-story collection Hanoi at Midnight by Bao Ninh (Texas Tech University Press). He co-founded the literary magazine Cedilla, has worked as a tutor with the Michigan Mentorship Program, and taught for the University of Michigan. He holds a BA from the University of Montana and an MFA in Fiction from the University of Michigan.
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George Jreije
George Jreije is the author of the Shad Hadid children's fantasy series, the novel Bashir Boutros and the Jewels of the Nile, and the forthcoming graphic novel Tarik’s Bazaar Adventure (all HarperCollins). He has also written short stories published in collaboration with UNICEF. He has taught for the Concord (Massachusetts) Library System, the Orlando Libraries, and the Society of Children's Book Writers and Illustrators. He holds a BS and an MBA from Clark University.
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Omari Chancellor
Omari Chancellor has published short fiction in Vol. 1 Brooklyn, Brainwxsh, Still Life, and Soft Punk. He wrote and directed the short films The One, which appeared in several film festivals including the Ohio Valley Film Festival, and SwimLessons for The Believer magazine. He has taught at Spotlight Kids NY and the 52nd Street Project. He holds a BFA from Roanoke College and an MFA from New York University.
Read moreAnita Diggs
Anita Diggs
is co-author, with Ida Keeling, of the memoir Can't Nothing Bring Me Down: Chasing Myself in the Race Against Time (Zondervan). She is the author of four novels, including A Meeting in the Ladies Room, (Kensington Books), and the nonfiction book Talking Drums: An African-American Quote Collection (St. Martin’s Press). She has served as senior editor and director of One World Books for Ballantine/Random House. She has taught at Salem College. She holds a BA from the State University of New York/Empire State College and an MFA in Creative Writing/Memoir from Hunter College.
Arlaina Tibensky
Arlaina Tibensky
is the author of the novel And Then Things Fall Apart (Simon & Schuster). Her short stories and nonfiction have appeared in One Story, SmokeLong Quarterly, McSweeney's, Madison Review, The Dinner Party Download, New Stories from the Midwest 2018 (New American Press), the New York Times, and elsewhere. She holds a BA from the University of Wisconsin-Madison, and an MFA in Fiction from Columbia University.
Cab Tran
Cab Tran
has published short fiction in Vagabond: Bulgaria's English Monthly, The Oleander Review, and Black Warrior Review, among many others. He is the translator, with Quan M. Ha, of the short-story collection Hanoi at Midnight by Bao Ninh (Texas Tech University Press). He co-founded the literary magazine Cedilla, has worked as a tutor with the Michigan Mentorship Program, and taught for the University of Michigan. He holds a BA from the University of Montana and an MFA in Fiction from the University of Michigan.
George Jreije
George Jreije
is the author of the Shad Hadid children's fantasy series, the novel Bashir Boutros and the Jewels of the Nile, and the forthcoming graphic novel Tarik’s Bazaar Adventure (all HarperCollins). He has also written short stories published in collaboration with UNICEF. He has taught for the Concord (Massachusetts) Library System, the Orlando Libraries, and the Society of Children's Book Writers and Illustrators. He holds a BS and an MBA from Clark University.
Omari Chancellor
Omari Chancellor
has published short fiction in Vol. 1 Brooklyn, Brainwxsh, Still Life, and Soft Punk. He wrote and directed the short films The One, which appeared in several film festivals including the Ohio Valley Film Festival, and SwimLessons for The Believer magazine. He has taught at Spotlight Kids NY and the 52nd Street Project. He holds a BFA from Roanoke College and an MFA from New York University.
